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Energetic Baby No.76

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Story:

In case you have noticed the crazy orange splashing everywhere throughout every page you click on and you haven't heard about the story behind it, I would like to tell it over again. I have read something about how an artist should make his works "collectable"  by creating a collection with about 10 pieces though which they represent their style and vision, I had been thinking about what I could achieve that in my own way, then.....

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Showcase:

Wallpaper design featured on issue No.97 of Japanese PC Magazine - Windows100%.

 

Energetic Baby No.80 featured on Australia design/art magazine - Blanket - on current MOVEMENT issue.

 

Baby No.90, 83 and 53 were featured on the homepage of art community, Redbubble.

 

Energetic Baby No.33 got the 3rd for the image of the month on voodoochilli.net. (June/07)

How I work?

A kind visitor reminds me that I forgot to update this section, guilty as charged. Since I got a blog and the space left on this page is quite limited, I decied to share my observations, techniques and experience directly through my blog, which I can edit and update without much fuss. It is easier for you to leave a comment as well. The 1st post is The Tale of Baby No.59's Life and Adventure, which I attached a "How-I-Work" tag. let's hope it's not the first article, and the last too. :D

Energetic Baby No.54 by mitrm aka Ian Yang

Energetic Baby No.54

When I first realize that the word "fractal" means, I felt like I had run into a whole new different world of digital art and I grew quite impatient to give it a try without making my works look as though they're some poor duplicates of others, so I didn't use dark background or fancy, shining patterns that keep whirling & whirling. Instead, I used the composition and shapes to achieve my goal.

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Energetic Baby No.4 by mitrm aka Ian Yang

Energetic Baby No.4

Is making digital art any easier than traditional art? hart to say, but I have to admit that with the handful tools available in all the graphic designing apps, you need to be more "artistic" and careful to making something that not only impressive but original. With the great palette as the important basis and element in the beginning, No.4 was created following a couple of intentional twists and turns that made the final look full of soothing and smooth moves reflecting every line and the light upon.

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Energetic Baby No.83 by mitrm aka Ian Yang

Energetic Baby No.83

Isn't it obvious that I always manage to make the still graphics move in their own way? The movement plays a big part as an essential criteria in my works for that's where the part of the dynamics originates. Consciously I put a bit of Escher in this to make a big wave of illusion and labyrinth.

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Energetic Baby No.23 by mitrm aka Ian Yang

Energetic Baby No.23

This is probably one of the most popular pieces of mine. It originated from a simple composition, but I needed the shades, colors and the clean lines to make the image as a whole. Maybe my mind was still affected by Mondrian from time to time then.

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Energetic Baby No.80 by mitrm aka Ian Yang

Energetic Baby No.80

I always want to make something as a breakthrough (or transition) of what I have been quite familiar with or what have given me great impression for a long time. More textures and casual brushes were adopted in No.80 for  that's how I see the ancient Chinese water-colors -- scattering clouds, infinite hills, waterfalls, and plenty of empty space that gives the picture a divine quality. I put it in my own ways though, blending fractals with pushing & vibrating contrast..

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